The Assembly Line Has Lost Its Teeth: 2024 Accomplishments & 2025 Plans

My office is clean, organized, and I just poured myself a cup of tea. That means its time to do what many others are currently doing: reflect on goals and aspirations for 2025. I remain steadfast in my avoidance of labeling them “resolutions,” as to me, they create a lot of pressure with minimal flexiblity. Instead, I prefer to refer to these goals and aspirations.

To begin, I’d be remiss if I didn’t reflect on 2024. Technically, as a writer, I have not put out a full body of work since my chapbook of poems, Casting Seeds (Alien Buddha Press, 2022) three years ago. It feels like a lifetime and throughout most of 2023, I felt immense guilt for not churning out more work after three back-to-back releases since 2020. I needed some rest and 2024 became my year of resoluteness: I discovered I measured my output based on the other writers in my life, which aggravated that guilt I was feeling. I learned to embrace taking downtime between projects because what we do in the liminal spaces of output matters. With much discomfort at first, I began to celebrate the small accomplishments bit-by-bit, then, discovered that I was actually accomplishing pretty notable things that I was downplaying. After all, western society always convinces us to downplay our own momentum, does it not? So, I’d like to celebrate some of my 2024 accomplishments on both writing and media fronts:

AN EXTENDED PLAY OF MUSIC & POETRY – URGENT FIRE (WITH BROTHERWELL)

As a poet (and former musician), I never dreamed I’d have the opportunity to combine my poetry with music. I’m grateful the universe coaxed Brotherwell and I to cross paths. The past few years, we worked together on songs here and there, but to have the chance to work on an entire album with a concept, I never believed it’d happen until this past year. Back in January 2024, we released Urgent Fire, an extended play of four spoken word songs examining current events, mental health, and so much more. There’s much more from us to come! (Will discuss later)

WORK ON THE GODZILLA: 70th ANNIVERSARY ANTHOLOGY

Similar to my thrill about my work on music, having the chance to write for an official Godzilla comic story was not on my bingo-card. I’ve discussed it at length in interviews and on my podcast Growing Up With Godzilla; however, when my friend Matt Frank approached me to write poetry for a character in his story, “In the Shadow of a God,” I eagerly accepted. Not only did it help me learn about the comicbook writing world but it built a friendship with someone I respect considerably. Fast-forward throughout the year, it led to me having the opportunity to speak at G-FEST 2024 on the Kaiju Writer’s Panel, a co-signing session, and led to a number of guest appearance opportunities on some podcasts, including but not limited to: United Kaiju Podcast, Kaiju Conversation LIVE, Collect All Monsters, Tomes of Evil, and SKREEONK! As a writer and lifelong Godzilla fan, 2024 marked a major milestone for me in this regard.

CONCLUDING OUR PODCAST “RESTITCHING THE TAPESTRY

A major part of my life since 2020 was our podcast Restitching the Tapestry. Ari Whipple, my friend of 20 years, joined forces with me to discuss current events, pop culture, social justic, and art regularly on Thursday evenings. After 5 seasons and 180 episodes, we decided to conclude the show. It was an emotional end; however, looking back on all we’ve accomplished, I’m incredibly proud. We covered a lot of ground, had revelations, shared poetry, cried together, laughted together… and so much more. If anything, I’m most grateful for the friendship I’ve cultivated with Ari, and I’m happy viewers will always be able to watch (or listen) to our massive project. If you’d like to listen to Restitching the Tapestry on YouTube, click the image above. Otherwise, it can be found on streaming services.

COMPLETING SEASON 3 OF MY PODCAST “GROWING UP WITH GODZILLA

I’d be remiss to not mention the completion of season 3 of my Godzilla podcast, Growing Up With Godzilla! The show has started to take off, to the extent where attendees at G-FEST 2024 ACKNOWLEDGED it. 2025 will mark the show’s 4th season starting in February.

MAJOR POETRY READINGS: THE QUEER CONFESSIONAL & CASTING SEEDS

I had two major poetry readings throughout 2024: THE QUEER CONFESSIONAL during Pride Month and CASTING SEEDS in late summer. Both of them were a huge success. Special thank you to Lolobees Lounge in Bay City, MI and the Roethke Museum in Saginaw, MI for hosting. If you’d like to watch either reading, you can find them on my poetry YouTube channel via the links above.

Here are some other accomplishments I’d like to list:

  • Getting 11 poems published
  • My poem “The Symphony of Sullen Warnings” placing first runner-up in Wingless Dreamer’s Petals and Pines 2024 poetry contest
  • My book Feats of Alchemy was listed as a Favorite Book of 2024 on Walden’s Poetry
  • Starting and sustaining a successful newsletter for PFLAG Great Lakes Bay Region, a local LGBTQ+ organization
  • Becoming a board member on Friends of Roethke, a local organization charged with protecting the legacy of Theodore Roethke
  • Facilitating a partnership with Friends of Roethke, distributing my Oct/POEM/ber Poetry Challenge to a wider audience
  • Guest appearing on a local podcast, Saginaw Valley Spoken Word Podcast, to discuss my career as a queer poet
  • Being invited as a guest speaker at Delta College for an Author’s Spotlight
  • Guest appearing for 3 episodes on the Star Trek podcast, IDIC – Infinite Diversity in Infinite Combinations
  • Helping launch a literary magazine for Delta College called 1961
  • Resumed the podcast series “Universal Journeys” with my dear friend Brenda Bates.
  • Participated in an author’s reception facilitated by Bookmarks in Midland, MI
  • Guest appeared at Great Lakes Bay Pride with Leopard Print Books

Looking back on this list accomplishments in 2024, my immediate insecurity is: how will I catch lightning in a bottle again? One of my major goals this year is to ignore that voice – because it creates a pressure and fear of failure. Instead, I’m trying to affirm myself by saying: our accomplishments vary and take different shapes depending on where we are in life. In 2025, I may accomplish one thing as opposed to a dozen and ultimately, that’s completely okay. This capitalistic assembly line we’re on inbeds this deep conditioning that we must constantly need to churn out content and accomplishments. I’ve found that when I fall prey to that, fear-based ambition short-circuits actual output. 2025 will be about continuing to unlearn that conditioning and replacing these fear-based habits with grace-granting ones.

Despite my TedTalk in the prior paragraph, I don’t want my being cognizant of fear-based ambition to negate my excitement for what’s to come. As always, a new year brings new goals and aspirations. Here is my 2025 list:

  1. GET MARRIED: I’m getting married this year in November! I’m pretty stoked about this! Anyway, I’d be ridiculous not to list this first!
  2. READ MORE: Since working as a teacher involves a lot of reading, I find myself depleted when it comes to liesurely reading after coming home from work. In 2025, I’d like to carve out more time for casual reading. In fact, my friend Ari (who I mentioned before) has been sharing some thoughtful tricks about low-stress reading that have empowered me. I plan to start a reading journal, read at least 1 book a month, and actually use my Kindle to improve my access to reading material.
  3. FINALIZE AND SEND OUT MY CHAPBOOK: Yes, I’m nearly done writing a chapbook of poems! I don’t want to share too many details, but I’m finishing up some final poems and organizing. I’ll be sending it to my editors some time in the next month or two. Then, it’s going out to publishers!
  4. FINISH MY NEXT FULL-LENGTH POEM COLLECTION: I’m about 75% through completing my next full-length book of poems. I doubt it will be released this year but that’s progress, right?
  5. BEGIN WORK ON A FICTION SHORT-STORY COLLECTION: This is probably an unexpected one, but yes, I am slowly getting back into writing fiction. In fact, I’m hoping this short-story collection will lead to a full-length novel series. It’s ambitious (oh the irony considering my ambition tirade earlier); however, we writers dream big don’t we?
  6. FINISH ANOTHER EP WITH BROTHERWELL: We are beginning work on the next segment of what will be a full-length album of poetry and music.
  7. SUBMIT (AND HOPEFULLY GET ACCEPTED) A GODZILLA COMIC BOOK PITCH: Throughout late 2024, I’ve worked on sending out Godzilla comic pitches to IDW Publishing. I haven’t had any bites yet, but I’m not giving up. I have a lot of stories in me, so, one of my goals is to score my own Godzilla story in comic book form. I don’t care if it is a limited series or one-off, I’m just excited to stretch myself to other genres outside of poetry.
  8. WRITE A BLOG POST PER MONTH: I honestly should use my website blog more!
  9. WORK ON PROMOTING WORK MORE: Marketing is always this writer’s worst enemy – it is quite time consuming!

I honestly don’t know if I’ll be able to accomplish this list throughout 2025; however, I’m excited to forge forward and do my very best. As we navigate this year, I wish both writers and readers love and creative energy. Let’s keep doing what we love because we owe ourselves this enrichment. Happy New Year!

XoXo

Donny Winter

2024: Getting Ready for the New

I couldn’t be more excited for what 2024 has to offer on the creative front. I spent 2023 recuperating and recharging my creative energies and now, I’m ready for what’s next. Here’s what I’ve been and what I will be working on:

#1: Urgent Fire, an EP of Poetry and Music with brotherwell

Urgent Fire, Out now and all streaming services.
Check out our EP on all streaming services!

I’ve always had a dream to weave my poetry together with music, and brotherwell (a musician [and good friend] from Florida) has allowed me to do that. Having been a musician for a number of years, I never quite found the way to merge these worlds. However, brotherwell’s talented way with words and sound have provided me the perfect alchemic brew. Over the past two years, we’ve collaborated on numerous tracks, especially on his prior collaborative album Re:covery.

In mid-2022, brotherwell approached me to collaborate on an album composed entirely of our own work, and I jumped at that opportunity. This extended play is the first segment of a much larger body of work which listeners find more about later. These four songs touch on mental health, climate change, LGBTQ+ survival, and so much more. You can now stream and/or purchase Urgent Fire across all streaming services!

#2: Work on a COMIC BOOK

Godzilla: 70th Anniversary comic book image showcasing its release date on May 8, 2024.
Check out my work in the upcoming Godzilla: 70th Anniversary comic book!

In late 2023, I was invited by my dear friend, writer, and comic book artist Matt Frank to collaborate on a story in IDW Publishing’s upcoming Godzilla: 70th Anniversary comic book one-shot. Obviously, I can’t reveal any details about this beyond that. All I can say is that it’s going to be awesome.

I can talk about my feelings though, right? I have to say: this is something I’ve always wanted to do and I never thought I’d get the opportunity. So, big thanks to Matt for believing in my work and inviting me to participate. If I could go back in time and tell my teenage-self that he’d go from writing Godzilla fan fiction to writing in an official Godzilla comic book, he’d be awestruck. These characters, films, and stories are so important to me. I’m grateful to have some small involvement in this 70th anniversary celebration.

#3: Beginning Work on My Third, Full-Length Poetry Collection

An image of Donny Winter's three collections of poems, Carbon Footprint, Feats of Alchemy, and Casting Seeds.
My first two, full-length collections of poems and my first chapbook.

After the success of my first two, full-length collections of poems, Carbon Footprint (2020) and Feats of Alchemy (2021), along with my chapbook Casing Seeds (2022), I needed to take a year off from book writing. As an artist, I think downtime is just as important as productive time. (More on that in a future entry) [wait, was 2023 downtime considering I was still working on poetry for other projects?] In entering 2024, I’ve been feeling an energy I haven’t felt in ages, and I’m ready to begin my next writing era.

I can’t reveal a lot about this new collection beyond the fact that I’ve generated about 30 poems thus far. I may not finish it this year; however, some significant progress will be made. Depending on how many poems I generate, workshop, and edit, I may even consider putting out another chapbook if the next full-length takes awhile to complete.

Regardless, I’m in such a good place as an artist. I know there’s a lot of good things on the horizon and I don’t feel bogged down by the pressure to over-produce or rush. Poetry is wine – it betters as it sits in the barrel.

As always, thank you for beliving in my work. There are other small-scale projects I’m working on, but I’ll reveal those in the near future!

Talk soon!

xoxo Donny

New Interviews on #SundaySweetChats Show & Kaiju United

It has been a busy summer for me with regard to interviews – all of which I absolutely love! Earlier this month, I was invited on to #SundaySweetChats, a show facilitated by my dear friend (and poet) Charles K. Carter. We discussed a variety of things ranging from our favorite sweet treats to the way LGBTQ+ experiences inform our poetry. If you’d like to watch our full interview, including a performance of my poem, “Casting Seeds,” feel free:

Charles K. Carter interviews Donny Winter on #SundaySweetChats.

Last month, I had the honor of being featured as a special guest on Kaiju United. Jacob Lyngle sat down with me to discuss my poetry, my show Growing Up With Godzilla, and it features a performance of my poem “Daikaiju Inside.” Enjoy!

Jacob Lyngle interviews Donny Winter on Kaiju United.

Unpacking “Carbon Footprint” Interview

Donny Winter sat down last week with fellow writer (and friend), H.M. Kanicki, to discuss multiple aspects of his book of poems, Carbon Footprint. Incrementally, these episodes will be uploaded to Winter’s “DonnySpeaks” poetry YouTube channel of the course of this week. So far, two episodes feature discussions about themes of geology in the book and Winter’s love of the characters Godzilla and Mothra.

In this episode, Donny Winter discusses geology themes in his book “Carbon Footprint.”
In this segment, Donny Winter discusses how the characters Godzilla and Mothra influence his writing.

Did ‘Godzilla: King of the Monsters’ Creators Take Inspiration from the 90’s Mothra Trilogy?

Mothra vs Ghidorah
King Ghidorah faces off against Mothra in Godzilla: King of the Monsters (2019).

By: Donny Winter

The 90’s Mothra Trilogy are films that have been often overlooked by Godzilla fans in the past because they are aimed more toward young audiences with their whimsical stories and colorful spectacles. However, in recent years, they have received a bit more admiration considering they establish Mothra as one of the only Godzilla-franchise kaiju to star in solo films after having been incorporated in Toho’s Godzilla Cinematic Universe. Considering the upcoming film, Godzilla: King of the Monsters (2019), it’s possible that its creators may be paying homage to the underestimated trilogy in other ways: through the MonsterVerse designs and personalities of Mothra and King Ghidorah.

In the introductory film of the trilogy, Mothra (1996), also known as Rebirth of Mothra, kaiju fans are introduced to a sinister “cousin” of King Ghidorah known as Death Ghidorah, or sometimes referred to as Desghidorah. This adversary proves to be one of the most powerful and unique versions of Ghidorah considering its diverse (and deadly) abilities. Additionally, it is quadrupedal, much darker in color, and more rugged in texture.

DG and KG
Death Ghidorah (1996) and King Ghidorah (2019)

Despite some of Death Ghidorah’s body-design differences, it’s arguable that its facial design has served as inspiration for MonsterVerse King Ghidorah’s facial structure. It’s known that this new, Americanized King Ghidorah is brought to life with motion capture effects, so each head has slightly different features. Despite this, the wideness of King Ghidorah’s jaws reflect the wideness of Death Ghidorah’s. Dominantly, prior renditions of King Ghidorah have relatively narrow jaws, including the version featured in the final film of the trilogy, Mothra 3 (1998). Complimentarily, this new Ghidorah’s eyes are were designed with a red-tint, just as Death Ghidorah’s. It also appears that at least one of King Ghidorah’s heads (left in the photo above) has horns closely based on Death Ghidorah’s thick, short horns.

The culmination of the similarities between these two may only be revealed on film in the form of their intended personality. Death Ghidorah is depicted as malevolent, almost finding satisfaction in the destruction it creates, along with the harm it inflicts on Mothra. In fact, the same behavioral observation could be made about King Ghidorah’s violent behavior in Mothra 3. Likewise, in Godzilla: King of the Monsters trailers, King Ghidorah is also seen exhibiting similar malicious behavior in the revealed, yet short battle sequences.

Additionally, it’s strongly possible that Mothra’s design in this ever growing MonsterVerse may have been inspired by her diverse appearances throughout the Mothra Trilogy. In Mothra (1996), the audience is introduced to the first Mothra whose design deviates from original: Mothra Leo. This version sports an appearance favoring earth-tones, has thicker antennae, and has slightly slanted eyes. In Mothra 2 (1997) and Mothra (1998), various transformations shift this Mothra’s colors into a bluer-range, also culminating in a sleeker appearance with longer legs in the final film.

mothra comparison
Rainbow Mothra (1998) and Mothra (2019)

Analogous to Mothra 3’s Rainbow Mothra, Legendary’s version of Mothra has wing patterns favoring blues, greens, and reds. Many may draw attention to the difference in shades, but aside from this version of Mothra, no other has favored any shade of blue as heavily as these. Additionally, the slanted eyes, thick antennae, and sleeker legs in MonsterVerse Mothra echo those of Rainbow Mothra as noted in the comparison above. Despite film producers noting the inspiration taken from the original 1961 Mothra, coloring, wing-shape, facial structure, and body design seem to largely favor Rainbow Mothra’s.

Consequently, observing MonsterVerse Mothra’s agile and benevolently aggressive behavior in various TV spots and trailers may also suggest inspiration taken from Mothra 3’s Rainbow Mothra. In the trilogy, Mothra does not exhibit these qualities until facing the Cretaceous version of King Ghidorah after time traveling to a point in history when a younger, less powerful Ghidorah existed. One well-remembered moment of the film is their violent battle during those ancient times, where Mothra uses claws to physically injure Ghidorah in close-quarter combat. This typically uncharacteristic battle moment may have inspired the need for MonsterVerse Mothra to have longer legs and a more instinctively aggressive personality, considering prior forms of Mothra never utilize such battle tactics.

Despite much of this being speculation based in observation, it would be difficult to imagine Michael Dougherty and his team overlooking the adaptations of both iconic kaiju in the 90’s Mothra films. Perhaps these films deserve a second chance seeing as they contain pivotal moments where the kaiju are arguably given more personality, intent, and motivation than prior adaptations. After all these years, perhaps these films are getting the credit they deserve as creative source material fueling the MonsterVerse adaptations of Mothra and King Ghidorah

What do fans think? Share thoughts on Kaiju Galaxy’s forum or on its Facebook page.